Ende der Feindseeligkeiten. Die Engländer räumen den Americanern Neu-Yorck ein 1783, Daniel Chodowiecki, 1784, Library of Congress.
To the left of the frame are another pair of onlookers: a woman in European dress, and a sailor.
The sailor wears a round hat with brim slightly upturned. His hair is well kept, and hands above the collar of his horizontally striped waistcoat, which is triple vented. Clean petticoat trousers end just about the knee, where dark stockings (or stockings that are just in shadow) run down to shoes that might be mules or slips.
It is worth noting that the artist is clearly drawing inspiration from Central Europe, rather than from America or Britain. His depictions of others in this print and the other eleven plates, along with the architecture shown there, are all derived from European inspiration. Chodowiecki's depiction of this sailor may be more accurate for a German Matrose than an American or English sailor.
It is worth noting that the artist is clearly drawing inspiration from Central Europe, rather than from America or Britain. His depictions of others in this print and the other eleven plates, along with the architecture shown there, are all derived from European inspiration. Chodowiecki's depiction of this sailor may be more accurate for a German Matrose than an American or English sailor.
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