|Detail from British Resentment or the French fairly Coopt at Louisbourg, |
Louis Pierre Boitard, 1755, John Carter Brown Library of Early American Images.
There are a lot of things I didn't expect when I started this website back in 2014. When studying depictions of sailors' slop clothes, I was surprised by the number of open cuffs, bob wigs, cocked hats worn reversed, and the variety of handkerchief styles. Among the most prolific accouterments of the sailor in artwork of my era is the stick.
A question arose from seeing so many representations of sailors and sticks: why? What purpose does the sailor's stick serve?
Now that I have combed through court records, memoirs, and especially period newspapers, it is my belief that the primary purpose of the sailor's stick was as a weapon.
That is not to say the sailor only ever used his stick as a weapon. Mariners are often depicted dancing with sticks.
|Detail from Sea Captains Carousing in Surinam, John Greenwood, c. 1752-1758, Saint Louis Art Museum.|
|Detail from The Sailor's Fleet Wedding Entertainment,|
M. Cooper, 1747, Yale University Lewis Walpole Library.
|Detail from The Wapping Landlady, engraved from the Original Painting in Vaux Hall Gardens,|
published by Carrington Bowles, 1743, British Museum.
|Deatil from Greenwich Hill or Holyday Gambols,|
William Humphrey, 1770's, British Museum.
|Detail from Jack on a Cruise, M. Darly, 1781, British Museum.|
|Detail from The Modern Harlot's Progress, or Adventures of Harriet Heedless,|
Carington Bowles, 15 May 1780, British Museum.
|Jack got safe into Port with his Prize, Robert Sayer, 1780, British Museum.|
A hint of the purpose of sticks is in the memoirs of Olaudah Equiano. He faced the usual dangers that accompanied a life at sea: drowning, fire, death in battle, corporal punishment, and the like. As a black man sailing Caribbean and North American waters, Equiano was also subject to racial dangers like attempted kidnapping:
One day, while I was a little way out of the town of Savannah [Georgia], I was beset by two white men, who meant to play their usual tricks with me in the way of kidnapping. As soon as these men accosted me, one of them said to the other, 'This is the very fellow we are looking for that you lost:' and the other swore immediately that I was the identical person. On this they made up to me, and were about to handle me; but I told them to be still and keep off; for I had seen those kind of tricks played upon other free blacks, and they must not think to serve me so. At this they paused a little, and one said to the other—it will not do; and the other answered that I talked too good English. I replied, I believed I did; and I had also with me a revengeful stick equal to the occasion; and my mind was likewise good. Happily however it was not used; and, after we had talked together a little in this manner, the rogues left me.
|Olaudah Equiano, The Interesting Narrative of Olaudah Equiano, London: T. Wikins, |
1789, pages 72-73, University of Michigan via HathiTrust Digital Library.
|The Derby Mercury, January 20, 1748, Page 4.|
The use of the stick for personal defense is alluded to in a print depicting the murder of a midshipman from the Wager during the sailors' difficult time ashore after their vessel wrecked. As Captain Cheap shoots Midshipman Henry Cozens, a small group of sailors charges toward the sound of the pistol, sticks in hand.
|Detail from A Representation of Capt Cheap, Commander of the ship Wager, Shooting Mr. Cozens his Midshipman, artist unknown, published 1745 in A voyage to the South-seas, and to many other parts of the world, from 1740 to 1744, by an officer of the fleet.|
In another case, two sailors jumped a third on the road and attempted to rob him. Both attackers resorted to striking their victim 'with a bludgeon' and 'a stick.' Despite the onslaught, 'by his Knife and Walking Stick, he defended himself so bravely, that they retreated with great precipitation, without their booty.'
|The Derby Mercury, November 17, 1749, page 3.|
|Jackson's Oxford Journal, August 12, 1758, page 1.|
|The Public Advertiser, July 30, 1790, Page 3.|
|Plate from 'Thomas and Sally or, the Sailor's Return. A musical entertainment in two acts and in verse,'|
author Isaac Bickerstaffe, artist unknown, 1770, Internet Archive.
|Old Bailey Proceedings Online (www.oldbaileyonline.org, version 8.0, 05 June 2018),|
October 1761, trial of Stephen Dane (t17611021-30).
|"The Late Riot in Shoredtich," The Beauties of All Magazines Selected for the Year 1763,|
Volume 2, London: T. Waller, 1763, page 509, via Google Books.
|Detail from The Mob attempting to pull down Peter Woods house, Unknown Artist, 1749, British Museum.|
The sailor in Philip Dawe's Bostonians Paying the Excise-Man is also armed with a stick, and is one of the most prominent figures in the American mob depicted there.
|Detail from The Bostonian's Paying the Excise-Man, or Tarring & Feathering, |
attributed to Philip Dawe, published by Sayer and Bennett, 1774, John Carter Brown Library.
The rioting mess of shipmates who rescue the woman of ill repute from the law in John Collet's A Rescue, or Tars Triumphant also bear sticks.
At times the violence that sailors wrought with their sticks was celebrated. Increasingly during the Seven Years War and especially during the American Revolutionary War, sailors were used as personifications of Britain. And so their sticks came to have political meaning as well. When sailors forced their way onto the field in their enthusiasm to engage the French during the Battle on the Plains of Abraham, the story was repeated in several newspapers. These Georgian journalists were particularly impressed that the sailors were so eager despite 'some having cutlasses in their hands, others sticks, and some nothing at all.'
In 1781, a Mr. Churchill penned a metaphorical ballad in which the sailor's 'trusty oak stick' was used to beat down the French and those that would shelter them.
The theme of the sailor striking at personifications of Britain's enemies is quite present in cartoons of the latter half of the eighteenth century. A pair of sailors bearing sticks have struck a hard blow against a stereotypical Spaniard in Cruikshank's 1790 Political Sparring.
|A Rescue, or the Tars Triumphant, John Collet, 1767, Open Art Collection.|
|"Behaviour of the brave Tars at Quebec." The Edinburgh Magazine, Vol. VI,|
March 1762, page 135, via Google Books.
|"Song 421. Written by Mr. Churchill." The Vocal Magazine; or, Compleat British Songster, London: Harrison and Co., 1781, page 112, New York Public Library via HathiTrust Digital Library.|
|Detail from Political Sparring, Isaac Cruikshank, 1790, British Museum.|
William Wells drew a sailor strangling a personification of the Dutch in 1783.
And in a poorly engraved cartoon by Thomas Colley, a British sailor watches over his French prisoners while brandishing his stick.
For attack and defense, the sailor carried a stick with him ashore. As a symbol of violence borne by the personification of Britain, it became an extension of Britain's might. In reality, it was used for the sort of nasty brawling that sailors were (rightly or wrongly) notorious for.
|Detail from Proclamation of Peace, William Wells, 1783, British Museum.|
|Detail from The Ville de Paris, sailing for Jamaica, or Rodney triumphant,|
Thomas Colley, 1782, British Museum.